Genre Criticism of Stanley Kubricks The Shining Essay

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Genre Criticism of Stanley Kubricks The Shining

The true measure of success for any film lies in its ability to establish a relationship with its audience. Perhaps more than in any other genre, the horror film must be aware of this relationship and manage it carefully. After all, the purpose of a horror film is not necessarily to invoke thought, but rather to evoke an emotional reaction from its audience. Horror films of all types have used frightening images, disturbing characters, and thrilling sequences to inspire fear. Within the genre, 'tried and true' methods have become staples in evoking this response from the viewer. From serial killers 'around the corner' to monsters under the bed, the horror genre has employed these
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Danny shares this gift with Dick Hallorann, the hotel?s head chef. Even after Hallorann leaves the hotel for the winter, the ?shining? allows him to foresee the danger for the family. Ultimately, he journeys back to the hotel to protect the family from their impending doom. The narrative is fairly conventional, but the film is made memorable through Stanley Kubrick?s unique direction. The Shining is a visually stunning picture that uses the camera cleverly to create its beautiful shots. The most interesting camera technique employed by Stanley Kubrick is his use of motion. When Jack and his family are taking their initial tour of the hotel, the camera is always moving along with them. This is an effective technique because it expresses the vast and overwhelming size of the hotel. Jack and Wendy seem to be ?led? by the camera through the long hallways and enormous rooms of the hotel. Also, the camera often uses wide shots to track their lateral movement. These extreme wide shots accentuate the contrast between their small figures and the large and open space in the hotel. This automatically introduces the vulnerability of this family to the powers of the Overlook Hotel.

Kubrick also expresses this idea of vulnerability through the use of aerial shots. In one sequence, Jack is standing over a model of the hotel?s maze while Wendy and Danny are outside walking through the real maze. The camera seamlessly cuts from a shot of the model to an exactly

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